If “Harvest Moon” had an alien twin from Baltimore, it might sound something like “Lazuli” — Beach House’s most romantic song, which highlights their 2012 album, Bloom. Alex Scally begins with a loping arpeggio and spray of synth as the story unfurls. “In the blue of this life, where it ends in the night / When you couldn’t see, you would come for me,” Victoria Legrand bellows, sounding warm, wise and oddly reminiscent of Nat King Cole. The lyrics float in and out of abstraction, like twisting a kaleidoscope. The synths form little ripples around her voice. In this vein, “Lazuli,” feels like an ode to communing with nature; a testament to every tiny particle that we can’t see. Who knows? Being in a perpetual state of wonder is the Beach House way, and it’s the true magic of this song. As Legrand reminds us in her dreamy warble, “you can’t be replaced.”
In the blue of this life
Where it ends in the night
When you couldn't see
You would come for me
Wonder eyes, motion high
And we don't dare slip on by
Make us suffer, like no other
There's nothing like lapis lazuli
Let it go, back to me
Like no other you can't be replaced
Like no other you can't be replaced
Like no other you can't be replaced
Like no other you can't be replaced
Like no other you can't be replaced
Like no other you can't be replaced
Like no other you can't be replaced
Like no other you can't be replaced (There's nothing like lapis lazuli)
Like no other you can't be replaced (There's nothing like lapis lazuli)
Like no other you can't be replaced (There's nothing like lapis lazuli)
Like no other you can't be replaced (There's nothing like lapis lazuli)
Like no other you can't be replaced (There's nothing like lapis lazuli)
Like no other you can't be replaced (There's nothing like lapis lazuli)
在線雷達
發表於 2021-2-21 12:23:01
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發表於 2021-2-21 12:41:50
